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Category: Cantor

Elul 27. The Gates are Opening

At the end of Yom Kippur, the images are of gates closing.  But now, as we enter the last few days of Elul and arrive at the New Year, the emotional and spiritual place we have entered since S’lichot is one where the gates are beginning to open – gates of the soul, gates of heaven, entrances to holiness, full of possibility.  A link from a friend on facebook today pointed to a powerful soul-reflection of a song recorded by Nina Simone – a spiritual called ‘Nobody’s fault but mine’, with a fascinating history.

Music is one of the keys that open the gates to the soul.  Earlier this month, our Cantor, Sheri Blum, reflected on the power of Avinu Malkeynu as a soul-opening and transformational piece of music and liturgy.  Listen to one of the most powerful recordings of the Janowski setting, by Barbra Streisand.

May our gates be opened, may our hearts be moved, and may our soul-work this season bring us closer to our Source.

Elul 25. A night of S’lichot to Remember

Last night our S’lichot program and service, held jointly with Beth El of Fairfield and B’nai Torah of Trumbull, proved to be a very powerful experience for all involved.  The first part of the evening consisted of a staged reading of Merle Feld’s play ‘The Gates Are Closing’.  More on that later in the week – it is such a rich and powerful piece that it needs its own blog entry.  The depth of reflection and sharing from members of our joint community following the reading was as much a part of the experience as the play itself.  As one of our colleagues, Rabbi Dan Satlow reflected that, while he may tell his community during the High Holydays that others at nearby synagogues are reciting the same prayers as they are, by coming together and sharing these reflections, and praying together, we felt the reality of that commonality and the partnership of Jewish community extended beyond congregational boundaries as experienced rather than abstract.


The service itself was also a reflection of multiple voices and styles, seamlessly woven together from the contributions of 4 rabbis, 2 cantors and 1 rabbinical student.  It was remarkable because there was almost no advance planning involved in this part, yet the earlier evening program had really opened up the energy and spirit of S’lichot such that each leader could tap into that Source, and the whole that emerged felt like some of the most powerful praying we had all experienced in a while.


Beyond the specifics of the prayers, the melodies, the play, the discussion, bringing three communities together, blending our approaches and contributions, felt in and of itself like the holiest of vehicles on which we could be carried from S’lichot into this week leading up to Rosh Hashanah.
Rabbi Rachel Gurevitz

Elul 7. Singing Avinu Malkeynu and how it made me a Cantor

I grew up in a Reform congregation in Northern California. My favorite prayer at the High Holy Days was when the Choir sang Avinu Malkeynu composed by Max Janowski. We were still using the old Union Prayer book in those days, and I would look ahead each service and count the pages until they sang Avinu Malkeyu. Later, when in high school, I joined the adult choir, and, since they did not have a Cantor, Avinu Malkeynu became my big solo. It spoke to me. It moved me. Every time before I would sing it, I would look at my mother, who never missed a service I sang, and we would look at each other and she would give me a special smile before I started. Through all my years as a student Cantor, and then Cantor, thru the 35 High Holy Day seasons I have sung, Avinu Malkeynu has been a spiritual moment for me.
One of the hardest things for me about the High Holy days, was 4 years ago, when my parents were unable to attend services anymore from California anymore due to health issues, my aunt died, my uncle went into a nursing home and my daughter went to college, all the same year, was to look out at the empty seats in the front row where they had all formerly sat, and not have my Mother to wink at before I sang the prayer.

I can honestly say this one prayer was what inspired me to become a Cantor. When I auditioned for Cantorial school, at the Hebrew Union College, I sang it. When I auditioned for my student pulpit in Long Island, I sang it. When I auditioned for my last job in Worcester I sang it. The Rabbi I worked with there said that when I sang Avinu Malkeynu he could see my soul. And then, when I auditioned for B’nai Israel, I sang it.

Music is very powerful. When we hear the special melodies from the High Holy Days, it makes us feel that the holidays are here. The music is special, the holidays are special. What is hard is when we are unable to be with our families anymore at holidays. Luckily, we are all part of the B’nai Israel family, the most wonderful group of people. I hope that all of us receive the comfort from the holidays we seek, renew ourselves and put us in a positive frame of mind for the next upcoming year. And, I hope that the music we sing will inspire all of us.
Cantor Sheri Blum

Share your stories with us – What music moves you? What associations and reflections do some of the High Holyday prayers and melodies have for you?  Let us know by clicking on ‘comments’ directly below this post, or by mailing to rgurevitz@congregationbnaiisrael.org