Rabbi Gurevitz' creative works: Podcast, blogs, videos and more

Category: Dance

#BlogElul: Let’s Dance! #takeaseatmakeafriend

It is all a matter of perspective. I can dwell in frustration that I’m not reaching my goal more quickly, or I can choose to notice what is happening in this moment and enjoy the fullness of it. I’m trying to lose weight. Sure, I’d love the pounds to come off more quickly. But I’ve been making steady and pretty consistent progress, and I’ve loved the interactions with my trainer and fellow exercisers at my three-times-a-week program. I have a vision of what I’d like my rabbinate to look like. Perhaps it will always be a work in progress (I should probably worry if I should delude myself that I’ve ‘arrived’), but focusing on each shift, development, ‘aha!’ moment shared with our team of leaders… creates and energy and excitement and new possibility.
Perhaps you know people (or perhaps you are someone) who are/is working incredibly hard at something that you intensely dislike. Perhaps it is wearing you down. But you’ve told yourself that you have to keep doing it until you’ve earned enough to not worry about what comes next. And there’s something practical and pragmatic about that. Sometimes that is what we need to do for a while. But sometimes we box ourselves in. If we changed some of our other goals, or expectations about what we really need, we might access a deeper kind of joy today instead of waiting until some of the best years of our lives have passed by. If we focused on each step of the dance, rather than a destination that we’ve constructed in our own imaginations, what might we discover about ourselves, about others, and about our world?

Entering ‘The Ritual Lab’: the purpose of creative services

cross-posted from the Rabbis Without Borders Blog at myjewishlearning.com

During my first year with a new congregation, I’ve been offering a creative service slot once a month. Borrowing the term from Rabbi Hayyim Herring’s book, ‘Tomorrow’s Synagogues Today’, our ‘Ritual Lab’ Shabbat lets congregants know to come expecting the unexpected for that particular service. Over the course of the year, some services have been more experimental in format than others – more or less similar to the flow and musical styles of our regular Shabbat worship – but each have had a specific goal in mind.

My ‘training’, such as it was, for shaping these creative services came from the Jewish Renewal movement, having spent many years praying with these communities and creating prayer services in that context prior to my formal rabbinic studies. There, one of the terms coined is ‘interpretive davenning‘ – a way of entering the prayer experience in an interpretive mode so that there is a sense of narrative and conscious spiritual journeying that accompanies the flow from one prayer in our liturgy to the next. Different modes may be explored to accompany particular prayers in a way that helps to peel back the layers of history, poetry, and other aspects of meaning found in each prayer. Each of these modes helps to uncover something of the meaning of the prayer, or highlights an aspect of personal spiritual reflection that a prayer might help to highlight. Sometimes it is the mind that is engaged, and sometimes it is something more experiential that helps us see the words of prayer as vehicles for getting beyond words; in many ways this can be the deepest experience of prayer. Such modes can include meditation chanting, movement, dance, study/discussion of a prayer text in pairs, juxtaposing traditional prayers with other kinds of texts to create new readings and meanings, and more.

I so often hear congregants say that the words of our traditional liturgy get in the way of being able to find spirituality in the Jewish communal prayer experience.This is partially because we lack the tools in our spiritual toolbox to unpack the layers of meaning and possibility found in those prayers. But it is also because the sheer amount of words can be overwhelming so that we cannot possibly derive significant meaning from all of them in every service. Of course, not everyone enters into prayer with this expectation – for those who pray in a more traditional mode, it is the overall ritual and rhythm of the familiar prayers that provide the vessel for taking time out to enter into a different mode that is the primary experience. But for many Jews, and certainly in what has been, historically, the more rationally-focused Reform movement’s approach to prayer, the perceived lack of meaning gets in the way for many individuals seeking a spiritual practice that truly touches and transforms them.

In our ‘Ritual Lab’ services, typically two things happen simultaneously; the prayer service becomes a vehicle through which we can attach a learning experience on an infinite number of topics and, at the same time, the materials or experiences we weave into the service brings a new sense of meaning to the individual prayers that have always been there. The next time we pray our way through our traditional liturgy, we bring the insights from these interpretive experiences with us, and they forever change our understanding of and relationship to these traditional prayers.

So, for example, the Shabbat of Thanksgiving weekend, we held a drumming worship service, juxtaposing insights from Native American spiritual traditions with Jewish ideas and writings that resonated with similar insights. During Pesach we held a ‘Song of Songs Shabbat’ that raised awareness of the Song of Songs being read at Pesach, introduced Jewish mantra chanting into the worship experience, explored the mystical roots of Kabbalat Shabbat and the connections to Song of Songs, and highlighted the nature imagery in our traditional prayers and our own spiritual experiences in nature. Sometimes I’ve been intentionally provocative. For example, there is great ambivalence in the Jewish world about acknowledging Halloween in any way in our Jewish community. I personally don’t feel that this is a useful battle to pursue, given the place of this day in American popular culture and the families and children who delight in the modern expressions of dressing up and going trick-or-treating. Instead, the Friday night closest to Halloween became a time to weave teachings about Ghosts, ghouls and demons found in Jewish folk and mystical tradition into the fabric of our service, demonstrating how some specific prayer and ritual traditions that we still have today may have their roots in these stories and beliefs.

For some of our more regularly attending worshipers, these services have become a highlight. They tell me that the format offers a way for them to be exposed to different kinds of spiritual practice and ways to pray that are accessible and can be internalized, while also providing a forum for learning in a setting other than an adult learning class. The feedback tells me that these creative services are fulfilling their purpose. I look forward to another year of experimentation in our Ritual Lab.

Creating Jewish memories this Simchat Torah

There’s always a lot of energy at B’nai Israel on erev Simchat Torah, which we celebrate this evening at 5.30p.m.  Our Junior choir sings and our Temple Band plays.  It makes for a special service with young and older brought together.

This year we have an additional special component, bringing in some of the youngest people in our community, and their families.  For over a year now, Rabbi Nicole Wilson-Spiro has led a weekly Young Families Chavurah on Shabbat morning.  Breakfast, yoga, music and prayer, stories, crafts, snack and play time – the chavurah offers a rich morning of Shabbat celebration for pre-school aged children. And it offers a great place for parents to meet each other and create new friendships in the Jewish community.

The chavurah has evolved and has generated innovative ideas and ways of celebrating Jewish life that are often out of the box.  A summertime Havdalah gathering included an Earthwalk at a local nature reserve, topped off with making smores around a campfire.  Apple picking before Rosh Hashanah at one of our local (and congregant-owned!) farms, Silverman’s, has been a big hit two years in a row.  In a couple of weeks, when we read the story of Noah, a special convoy of animals from our local Beardsley Zoo are coming to visit the children at the chavurah on Shabbat morning at our Temple.

This Simchat Torah, the creativity and innovation that the chavurah has brought to B’nai Israel will be front and center of our Bima at the start of the service.  After a year of the cuddly torahs that our kids march around the chapel with every Shabbat coming in and out of a large cardboard box, the Young Families Chavurah will be dedicating their very own Ark, especially designed to house these baby torah scrolls.  Sponsored by one of the families, designed by a local artist, and including the artistic contributions of many of the children who attend regularly, this is a very exciting project for our youngest children to see in its completion.

Our services are starting earlier than usual (6pm, after flagmaking at 5.30pm) so that our youngest children can enjoy them.  They’ll get to experience the music, see older children that they look up to singing and leading the prayers, and get to dance with their Torah scrolls when we take out the rest of the Sifrei Torah from our sanctuary Ark.  And then, in a tradition that many congregations are now sharing, they’ll get to see an entire scroll unwrapped around the room.

For children who are 2, 3 or 4 years old, tonight is going to be an exciting night that I don’t think they’ll easily forget – creating a Jewish memory that is special and something that I think they will want to experience again next year.  Their parents too!

But Simchat Torah is not just for kids! For the rest of us for whom this isn’t so new, imagine coming to celebrate Simchat Torah tonight and trying to see and feel the experience as if through the eye’s of one of these children.  What Zen Buddhists would call ‘Beginner’s Mind.’  Imagine the renewed joy we would bring to responding to the music; when we felt our toes tapping, we would get up and dance because we don’t have any layers of self-consciousness that have built up over decades, blocking our access to that joy and movement.  We would sing and clap, because we were moved to do so and we hadn’t built up years of inhibitions about whether our voices were good enough.  We would smile and laugh, because we would find the smiles ad laughs of the children around us infectious.

Now stop imagining.  If you are local, come and join us for Simchat Torah this evening!  And if you are reading from further afield, I hope you have a community close to where you live – check their websites or give them a call, and celebrate like its 5772!  We all deserve new opportunities in a new year to make meaningful Jewish memories.
Rabbi Rachel Gurevitz

Seven dances for Simchat Torah in the Youtube Era

On Simchat Torah (literally ‘Rejoicing of the Torah’), one of the ways we rejoice is by dancing with the Torah.  Traditionally we do 7 hakafot – 7 circles, or 7 rounds of singing and dancing before we read the closing verses followed immediately by the opening verses of the Torah.  In Kabbalah – Jewish mystical teachings – these 7 cycles are associated with the 7 lower sephirot of the Tree of Life.  These vibrate with the energy of 7 attributes of God and we, made in God’s likeness, also possess these attributes.  At our synagogue, each of our cycles is accompanied by our wonderful B’nai Israel Band striking up another tune, but we don’t really pick up on different energies or styles for our 7 dances; we begin a little more sedately, but then we bring things up to a lively tempo and we largely remain there for the rest of our celebration.  Its a great atmosphere, and we try to ensure that as many people can dance with a Sefer Torah as possible.

But this year I thought I’d explore the idea of these 7 different energies/attributes through associations with dance on the blog – something that is possible in this Youtube Era.  And so, with a little help from Google, this year’s Simchat Torah blog is a journey through the 7 hakafot as 7 dance images that reflect the 7 energies of the sephirot.

Hakafah 1: Hesed – the Dance of Love
Free-flowing, generous, all-encompassing; like the waves lapping on the shore, over and over…

Hakafah 2: Gevurah – the Dance of Power
Hard-edged, bounded, firm, strong, staccato…

Hakafah 3: Tiferet – the Dance of Beauty
Graceful, balanced, blending, soulful…

Hakafah 4: Netsach – the Dance of Eternity
Vision, expansive, unfolding, embracing…

The artwork of Francene Hart, Visionary Artist

We are surrounded by spiral every time we step into relationship. Guided by love and respect, spiral fearlessly into what might just be one of the most important dances of life. Know that in loving you will be loved.










Hakafah 5: Hod – the Dance of Splendor
Explosion of sensation, joyful fulfillment,  elegant, spirit (ruach)…

After an overdose of streptomycin to treat a high fever at the age of two, Tai began to lose her hearing. She didn’t realize this until she tried to join a group of friends in a sound-distinguishing game. She was five by then and other kids were going to normal schools. Little Tai, thrust in deep depression and solitude, had to go to a primary school for the disabled.
Life had to carry on but a young heart sobbed on in a soundless world… All until one day when a teacher at the special school brought a drum to class and started to beat it, Tai was thrilled by the rhythmic vibration that passed over her body from under her feet. She was overwhelmed and simply bent over to the wooden floor: It was the most beautiful sound in the world to her.

 To again experience such a feeling, Tai would press her little face to a loudspeaker and imagine the dance on TV. It was her language and the only one, to express her understanding of the world. From then on, Tai became obsessed with dancing…

Tai’s outstanding performance brought her to the world stage. She is the only Chinese dancer to have performed both at Carnegie Hall inNew York and La Scala in Milan. And a poster of The Spirit of the Peacock by her at Carnegie Hall is the only one from China.
Now when the curtain rises, the lights come up and the music fades in, there is Tai in the elegant flowing dress signature to the piece. She moves with her impressionistic interpretation of that precise-stepping and extraordinary land bird. As if in a silent wood, on a green lawn, or by a gurgling brook, with expression of face and body she captivates with physical interpretation and spirit

Hakafah 6: Yesod – the Dance of Foundation/Life Force
Righteousness, justice, inclusion, connection…

There are so many Dance Foundations to choose from, focusing on all kinds of dance of all kinds of communities.  The following clip from the American Dance Wheels Foundation felt like a particularly appropriate interpretation of life force; something unexpected, yet powerfully integrative:

Hakafah 7: Malchut – the Dance of the Shechinah
The earth, the moon, the apple orchard, the rainbow…